Woody Harrelson Shares Insights on Working with Kristen Stewart in ‘Full Phil’ and Reconnecting with Matthew McConaughey

American actors often face challenges when transitioning from television to film, especially when crossing over to European cinema. Woody Harrelson, known for his roles in popular commercial franchises, successfully navigated this path four years ago. He starred in Ruben Östlund’s Triangle of Sadness, earning acclaim as the Marxist captain of a troubled cruise liner. Now, Harrelson is set to return to the Cannes Film Festival with his latest project, Full Phil, directed by the eccentric Quentin Dupieux. This film is characterized by Dupieux’s unique blend of humor and intensity, likened by the director to “Emily in Paris in hell.”

DEADLINE: How did you get involved with Quentin Dupieux?

WOODY HARRELSON: Ilya Bronchtein, who started as my assistant and became a producer, urged me to watch Quentin’s films. When I finally viewed Yannick and then The Second Act, I was blown away. She suggested arranging a meeting with Quentin, which led to our discussions about Full Phil.

That initial meeting took an unexpected turn when Dupieux mentioned his desire to cast Jim Carrey, and I realized I could help. However, Ilya, having already read the script, had her own aspirations for my role. After our discussion, Quentin considered me for the part, and that’s how I got in.

DEADLINE: How long did it all take?

HARRELSON: From our meeting to the end of shooting, it unfolded in about two months. Quentin is incredibly efficient; he writes, directs, shoots, and edits his films. If you have questions, he’s right there. On the first day, we filmed nine pages just between Kristen and me; it was a fast-paced environment.

DEADLINE: What can you reveal about the plot of the film?

HARRELSON: It centers on a father and daughter navigating a challenging relationship during a trip to Paris, which doesn’t go as planned. I can’t say much more than that.

DEADLINE: Did you know Kristen before?

HARRELSON: Yes! I met Kristen when she was starting her career. I had tried to cast her in a project, but it didn’t work out. Sean Penn had praised her significantly, and seeing her work in Full Phil confirms his insight. I hear it’s excellent and can’t wait to see it.

DEADLINE: What kind of performance is expected from you in this film?

HARRELSON: It’s quite theatrical; Quentin tends to use fewer sets, making it reminiscent of a play. The interactions between Kristen and me drive the narrative, even when we switch locations, maintaining a consistent dynamic.

DEADLINE: People expected to see you at Cannes for Ruben Östlund’s new film, The Entertainment System Is Down. Did that happen?

HARRELSON: I was determined to be part of it! But the role I wanted ended up getting cut. With so many characters in that film, it was understandable. I wished to contribute, but the script didn’t allow it.

DEADLINE: Do Östlund and Dupieux share similarities?

HARRELSON: They are quite different. I see Dupieux as an auteur, reminiscent of Fellini with a larger-than-life personality. Ruben is fun and interesting, but their styles differ significantly.

DEADLINE: What drew you to Triangle of Sadness?

HARRELSON: I had seen The Square and Force Majeure, which showcased Ruben’s unique cinematic vision. Though skeptical initially, I eventually recognized his brilliance after watching the entirety of The Square.

DEADLINE: How many times have you attended Cannes?

HARRELSON: Perhaps half a dozen times. My most memorable experience was certainly with Triangle of Sadness. The audience reaction was unexpected and exhilarating. I was in the middle of a hundred days of sobriety and remembered meeting an exceptional sommelier afterward. Despite the festive atmosphere, I stayed committed to my goal and didn’t drink that night.

DEADLINE: Are you interested in pursuing more projects in European cinema?

HARRELSON: I have a strong interest in European films, especially French cinema. Despite the financial differences, the quality of storytelling in Europe is impressive and often surpasses what is made in the U.S.

DEADLINE: Following True Detective, were you expected to dive further into streaming and serial television?

HARRELSON: Currently, I find myself drawn to series; they do capture my attention. Additionally, a new project with Matthew McConaughey is set to debut this fall, featuring a fictionalized version of ourselves.

DEADLINE: What can you share about this project?

HARRELSON: It involves me traveling to Texas to spend time with Matthew. Once my bus enters his ranch, it’s going to stay there for the duration of the first eight episodes.

DEADLINE: Is it influenced by the rumor that you might be related?

HARRELSON: Yes, that element will indeed play a role.

DEADLINE: How long have you known Matthew?

HARRELSON: Since 1997. We’ve had a lot of memorable moments together, and I regard him as a brother.

DEADLINE: What is the title of the show?

HARRELSON: It’s called Brothers.

DEADLINE: Can you explain the title?

HARRELSON: You’ll have to watch and see!

DEADLINE: What drives your recent productivity?

HARRELSON: A recent film I enjoyed is Wasteman, directed by Cal McMau. I’m keen on collaborating with emerging directors. I’m also set to film a project with Sam Rockwell and Jason Bateman in June, where a quality of storytelling is paramount.

DEADLINE: Are you apprehensive about failure?

HARRELSON: I’ve faced my share of setbacks but often find myself willing to take risks. Emma Stone once advised me that the passion for a project must be compelling.

DEADLINE: What constitutes failure in your view?

HARRELSON: Simply put, if the film doesn’t resonate or turn out well, that for me is a failure.

DEADLINE: How can you tell if a film fails?

HARRELSON: I can gauge it when I watch the final cut.

DEADLINE: What’s your experience with the industry’s reaction to a film’s lack of success?

HARRELSON: I know that may be ahead of me!

DEADLINE: What’s your project with Jason Bateman?

HARRELSON: It’s titled Cackling of the Dodos with Netflix.

DEADLINE: Are you playing a villain?

HARRELSON: I play an Iowa farmer—not a villain.

DEADLINE: Is there a reason you avoid villainous roles?

HARRELSON: I enjoy playing the bad guy. I just take roles as they come. My approach is to embrace authenticity, even in malevolent characters, rather than trying to make them likable.

DEADLINE: Regarding your voice role in Tubi’s Fabulous Furry Freak Brothers, have you met the creator Gilbert Shelton?

HARRELSON: Not yet, but I plan to be in Paris soon, where he lives. Perhaps the opportunity will arise.

DEADLINE: What about his comics?

HARRELSON: I appreciate the humor; it’s a brilliant blend of stoner comedy.

DEADLINE: Is there skill involved in distinguishing quality stoner comedy?

HARRELSON: Films like This Is the End and Pineapple Express demonstrate the range and often combine silly humor with insightful narratives.

DEADLINE: How do you differentiate between authentic and faked performances in stoner films?

HARRELSON: It may not always be obvious since the actors are talented.

DEADLINE: What about future collaborations with Martin McDonagh?

HARRELSON: I recently visited him in London and viewed scenes from his upcoming film. It’s phenomenal, and I hope to work with him again soon. I’ve learned from past regrets about turning down a role in The Pillowman.

DEADLINE: Do you still enjoy theater?

HARRELSON: Yes, I recently performed in Ulster American in London, now showing in New York. My previous experience was less fulfilling, so I prefer to engage in more comedic works to maintain a light-hearted atmosphere.

DEADLINE: Theater reviews can be challenging. Do they affect performances differently than film reviews?

HARRELSON: Absolutely. Reviews can be a lingering burden for theater actors, impacting both performance and audience perception. I’ve opted to avoid reading reviews entirely.

DEADLINE: Do you read the news?

HARRELSON: I try to steer clear, as it often weighs me down. I prefer to prioritize my mental well-being over constant exposure to negativity.

DEADLINE: How do you manage stress?

HARRELSON: I engage in exercise, stretching, and strive to be around loved ones as much as possible. The company of friends and family is integral to my peace of mind.

DEADLINE: Lastly, is it true that you surprised Daniel Craig with an unannounced visit at his Brooklyn home?

HARRELSON: Yes, that’s true. I liked him and hadn’t seen him in a long time.

DEADLINE: Your surprise visits seem to highlight a spontaneous side of you.

HARRELSON: I enjoy keeping people on their toes.