Seriencamp Announces Exciting 2026 Lineup Featuring ‘Halo’ Showrunner Steven Kane and Veteran Hollywood Agent Alan Greenspan, Promising Positive Insights from Artistic Director
Seriencamp 2026: A Forward-Looking Festival Amid Industry Challenges
Seriencamp 2026 aims to provide constructive solutions for the television industry rather than succumbing to “doom and gloom,” according to Gerhard Maier, the artistic director of Germany’s leading TV festival. Maier recently revealed the full lineup for the event, which will take place from June 9 to 11 in Cologne.
As the festival prepares for this year’s edition, Maier has incorporated notable figures into the program, including Steven Kane, showrunner of Paramount+’s Halo, and veteran Hollywood agent Alan Greenspan. He is focused on guiding producers through the industry’s current challenges while also enhancing the festival’s offerings.
The program features a diverse selection of content, including the Wallander reboot and the world premiere of ARD’s Westend Girl, which stars Golden Globe nominee Helena Zengel. Additionally, it includes upcoming shows from American streaming services such as Disney+’s Alice and Steve and Prime Video’s Game of Keys.
Maier is particularly interested in exploring emerging opportunities, such as microdrama, gaming intellectual property, and artificial intelligence. He noted the confusion in Germany surrounding the concept of microdrama, which has gained traction in Asia and Hollywood. “I have only spoken with four indies who in my opinion have produced microdrama and are aware of what it means to be data driven and rooted in economies of scale,” Maier explained. He emphasized that success requires a consistent output rather than one-off projects.
A dedicated microdrama track will feature insights from industry professionals, including Gregor Sauter (Red Pony), media strategist Bo Zhang (Bolytics), writer Will Buckingham, producer Felix Mann (WennDann Film), Brooklyn Coffeeshop creator Nitay Dagan, and showrunner Lukas Lankisch (VEAM). They will examine vertical video from various strategic, creative, and economic viewpoints.
Maier is keen to connect discussions surrounding microdrama with intellectual property, fostering dialogue on how producers can effectively leverage IP. With a focus on gaming, Steven Kane’s presence is significant due to his experience with the Halo adaptation, where he will address the complexities of translating games into series.
The festival will also confront the challenges posed by artificial intelligence. A new strand called Plot Next will include sessions featuring Pandora de Cunha Telles, showrunner of Netflix’s The Marquise, and discussions on AI’s role in the writers’ room for the German telenovela Rote Rosen.
While expressing his concerns about certain types of AI, Maier plans to address how AI tools may change production processes. “The hierarchical structure of filmmaking is being radically upended,” he stated, underscoring the festival’s commitment to engaging with these critical issues.
Seriencamp showcases high-quality programming, including ZDF’s The Flaws, which has already won festival accolades. The lineup also features partnerships reflecting diverse narratives, such as Alice & Steve and the German adaptation of Game of Keys, highlighting relationship-centered stories. Additionally, co-productions like The Reluctant Vampire and Counsels, produced by the BBC and ZDF, will be featured.
Maier emphasized that while world premieres are essential, a cohesive lineup is pivotal to the festival’s identity. This year, Seriencamp will prioritize female voices, showcasing works created by women from various countries, including Bangladesh and Palestine.
Recognizing the need for innovative storytelling, Maier acknowledged the impact of early guests who contributed to the festival’s vision. “She was one of our earliest guests at Seriencamp back when original TV shows from Germany were not done as much and she had such a clear vision of what she wanted to do,” he noted.
Seriencamp is poised to address the evolving landscape of television from multiple angles, fostering discussions that could shape the future of the medium.







