Gaumont Germany Leader Discusses ‘Unfamiliar,’ the Netflix Spy Drama from the Producer of ‘Barbarians,’ and the Challenges in TV Production
Title: Netflix’s ‘Unfamiliar’ Captures Spotlight as a Leading Non-English-Language Series
Date: [Insert Date]
Netflix’s latest offering, Unfamiliar, has quickly risen to the top of its most-watched non-English-language shows, debuting just last week. This six-episode series begins as a complex spy thriller but reveals deeper emotional layers as it unfolds. Centered on married former agents Meret and Simon Schäfer, portrayed by Susanne Wolff and Felix Kramer, the narrative shifts between their present-day clandestine operations in Berlin and a haunting past mission linked to their daughter. Complicating matters, a menacing Russian intelligence officer, Josef Koleev, portrayed by Samuel Finzi, is intent on eliminating them.
British writer Paul Coates, known for his work on Emmerdale, co-created the series alongside Andreas Bareiss, with Jan Bennemann spearheading the project for Netflix. “We were looking for a spy show, like everyone is looking for a spy show, and it’s very entertaining and thrilling. However, what sets it apart is the strong family dynamic,” de Mardt notes. “Paul explains it beautifully: It’s a spy thriller with a family in it – and then it transforms into a family story with spies involved.”
In a geopolitical climate that feels increasingly precarious, espionage narratives resonate deeply. “It reflects the overall sentiment we’re experiencing today, where things feel unstable and uncertain,” de Mardt remarked.
Filming at the German Federal Intelligence Service (BND) building in Berlin lent the series an authenticity that is both rare and significant. De Mardt explained, “Unfamiliar became the first fictional series to film selected scenes at the BND’s headquarters in Berlin. The preparation required meticulous planning and cooperation, but the location affirms a distinct visual authenticity that is challenging to achieve elsewhere.”
The title Unfamiliar is deliberately evocative, resembling the word ‘family’ while also hinting at themes of deceit. As the series progresses, these concepts take on greater meaning. While de Mardt refrained from revealing the finale’s details, she expressed confidence in the series’ potential for future seasons. “We have lots of ideas for various seasons…the audience will ultimately decide, but I believe they will decide wisely.”
In addition to successfully launching Unfamiliar, Gaumont’s German division is gearing up for two notable adaptations: Heidi and The Wandering Harlot. Filming for Heidi is slated to begin in April, promising a contemporary take on the classic story of an orphan girl who grows up with her grandfather in the Swiss Alps. De Mardt emphasizes the need for a fresh perspective: “Our Heidi is a little older, offering a coming-of-age storyline as she and Peter embark on adventures and grapple with their emotions while seeking their place in the world.”
Casting details are forthcoming, with the show expected to premiere in 2027, coinciding with the 200th anniversary of author Johanna Spyri’s birth.
Gaumont is also developing The Wandering Harlot, based on Iny Lorentz’s novel. This story of a 15th-century woman seeking revenge after being shunned by her community achieved considerable success in prior adaptations in Germany and Switzerland. With Francesca Forristal and KT Roberts on board for the screenplay, filming will take place in Bavaria, supported by local film funds and agencies.
“This is an incredible brand; it’s among the biggest in Germany,” de Mardt stated. “We aim to create a modern version reflecting societal changes and women’s emancipation.”
Reflecting on the state of the German television landscape, de Mardt emphasized the need for stability in funding and project planning. “As part of the Producers Association, we require a clear model that remains consistent, especially when projects take several years to develop,” she noted.
Amid a trend of consolidation in the industry, exemplified by Warner Bros.’ sale to Netflix or Paramount, de Mardt anticipates shifts in the German market. “We will likely see similar developments here, with mergers and acquisitions on the horizon.”
Concluding on a hopeful note regarding the industry’s evolution, she remarked, “We all have to adapt and seize the opportunities presented by changing landscapes, including the rise of AI.”
